Artwork by Nagji Patel makes a comeback in a retrospective exhibition in Delhi
Nagji Patel's sculptures and paintings, often featuring animals and nature as recurring motifs, are back in the public eye with the retrospective exhibition, 'Still, They Speak', presented by Akar Prakar. This event marks a significant moment in showcasing one of India's most respected sculptors from the 1960s.
Patel's distinctive minimalist language is evident in his works, characterized by distilling forms to their essential, abstract essence. His sculpture 'Bird', on display at the retrospective, does not depict a bird literally but evokes its essence. This approach, influenced by his mentor Sankho Chaudhuri and Romanian sculptor Constantin Brâncuși, is a testament to Patel's innovative spirit.
Throughout his six-decade career, Patel refined his expertise in stone carving, developing a sculptural language that emphasized the dialogue between material and maker. His works articulate "bird-ness" or other essences rather than literal depictions, reflecting a philosophical approach to sculpture that prioritizes form and material interaction over detailed representation.
Materials wise, Patel primarily worked with stone, mastering the medium to produce pieces where the material’s physicality and texture play a critical role in the artwork’s impact. His sculpture 'Abacus', crafted from pink, black, yellow, and white marble from different parts of Rajasthan, is a prime example.
The exhibition also features Patel's mixed media works, where he experiments with painting over photographs and paper cuttings. Pieces like 'Animal 3' and 'Bird' reflect his affinity for animals and nature, while works such as 'Implements' series, featuring life-sized sculptures of tools like ploughs, crafted in marble, sandstone, and wood, showcase his versatility.
'Still, They Speak' is in sync with Akar Prakar's gallery vision to honor and document the legacy of artists like Nagji Patel. The title signifies that even though Patel is no longer with us, his works continue to speak for themselves, showcasing a practice that was honed over years.
The exhibition is on view at The Stainless Gallery, New Friends Colony, until August 11. Don't miss this opportunity to immerse yourself in the meditative stillness of Patel's standalone paintings capturing tranquil forests, mountains, and creatures, and the playful yet thoughtful mixed media works that feel like freeform doodles.
Patel's travels significantly influenced his art, especially in his works on paper, as evidenced by his ink drawings of monuments and landscapes from his 1986 trip to Baghdad. His 'Mexico' series, created in 2007, translates stories from his journey into visual memory, featuring pieces like a snake inside a cactus or figures in a tour vehicle.
Lastly, Patel's 'Toy' series recreates objects from his youth and evokes shared nostalgia. These works serve as a poignant reminder of Patel's artistic journey, a journey that continues to speak to us, despite his absence.
[1] https://www.theartnewspaper.com/news/the-minimalist-sculptor-nagji-patel-to-be-honoured-with-retrospective-in-new-delhi [2] https://www.thehindu.com/life-and-style/art/the-art-of-nagji-patel/article30763944.ece [5] https://www.outlookindia.com/website/story/nagji-patel-minimalism-sculpture-art-india/368077
Engaging with Patel's art transcends travel and offers a glimpse into his unique cultural perspective, as his works reflect his extensive travels and the experiences they provided. The 'Toy' series, for instance, recalls childhood memories from his past. (lifestyle, travel)
The 'Mexico' series, a visual narrative of Patel's journey, demonstrates his ability to merge his lifestyle with home-and-garden motifs, such as the snake inside a cactus, drawing inspiration directly from his environment. (culture, home-and-garden)